As a co-resident of Berlin club night Janus, M.E.S.H. has been constantly active bringing fragmented rhythms to the dancefloor via PAN EPs such as Scythians and Damaged Merc, and building oblique, theatrical sound-stages on longer works such as Piteous Gate.

Violent cinematic effects enshroud ornate, virtual-acoustic instrumentation, with an eerie calm ebbing beneath the flux. In his newer work the atmosphere has shifted; the radical deconstruction of previous releases has given way to subtler interventions, building new structures in the territories where the unconscious and the alien intersect.